Archive for the ‘Hip Hop’ Category

Tapes ‘n’ Tapes: Surveying the latest hyphy-friendly Bay Area mixes.

Saturday, April 15th, 2006

Reposted from the East Bay Express

Tapes ‘n’ Tapes
Surveying the latest hyphy-friendly Bay Area mixes.

By Eric K. Arnold
Article Published Apr 12, 2006

In a recent conversation with Impereal of the Demolition Men, the mix-tape guru agreed that the local mix scene’s development played an instrumental role in the emergence of Hyphy: The Movement. Increasingly Bay-centric local mixes serve both the indie rappers and labels and the listeners; from your perspective, the mix tape basically a compilation with a concept may well represent the best bang for your buck, should you consider yourself hyphy and/or thizzin’.
Here’s a rundown on the Bay’s latest mix sensations.

Demolition Men
Best of the Bay 2005 Recap Pts. 1 & 2 (MySpace.com/demolitionmenmusic)

Overview: Two CDs with 49 tracks of straight slump everything you would expect from Impereal and Devro, who keep knock on lock around the clock. Part 1 features many of the celebrated slaps that made 2005 the hyphiest year in Yay Area history: San Quinn & EA-Ski’s “Hell Yeah” (featuring Mr. Ski’s finest turn on the mic ever), Balance’s “Gotta Get It,” Dem Hoodstarz’ “Getz Ya Grown Man On,” and Zion-I’s “The Bay” remix, significant in that it unites the 415, 510, and 707 area codes. Part 2 gets props not only for familiar favorites like Mistah F.A.B.’s “Super Sic wid It” and Bailey’s “Fuck Yo Couch,” but also such underground hard targets as Sean T. & Biaje’s “Dat Bump” and EA-Ski & Too $hort’s “Check the Resume.”
Most Inspired Moment: The Team’s “Just Go” (Pt. 1); San Quinn’s “The Bay Is in the Area” (Pt. 2).

Least Inspired Moment: When you realize how sore your head, neck, and back feel the morning after.

Why Is It Stunna-Worthy? It’s got everything you need to turn your scraper into a chariot suitable for gas-break-dipping and turning tight ones. Shout-outs, machine-gun sound FX, and plenty of scratching up the intensity way past crunk.

Does It Include E-40’s Smash Hit “Tell Me When to Go”? Hell motherfuckin’ yeah.

Best Suited For: Those with fully updated collision insurance.

Poignant Observation: If you lay both CDs next to each other, they form a montage of Bay Area rap celebrities with two microphones and the Golden Gate Bridge in the background something you wish you’d see on a KMEL billboard.

Hyphy factor: 9.8

DJ B Cause & Ross Hogg
Slump & Grind Vol. 2 (4OneFunk.com)

Overview: Besides the requisite megamix intro, there are no real bells & whistles, just a connoisseur-style selection of recent rumpus-inducing Bay shit. Plenty of big hits repeat on other comps, but nice surprises sneak in the mix like the Team’s “Show Me Your Nasty.”

Most Inspired Moment: DJ Shadow, Keak da Sneak, and Turf Talk’s “Three Freaks,” wherein Josh Davis navigates Rick Rock territory.

Least Inspired Moment: The nondescript cover photo of the Bay Bridge is a little misleading, given the magnanimous boasting of the songs therein.

Why Is It Stunna-Worthy? No less than four tracks featuring Turf Talk, dummy.

Does It Include “Tell Me When to Go”? Yupper.

Best Suited For: Newcomers and casual hyphy aficionados who enjoy listening at home as well as in the scraper.

Poignant Observation: The late, great Mac Dre is twice paid tribute, with his humorously self-aggrandizing “Me Da Mac” and ode to ’80s electro, “Dredio.”

Hyphy Factor: 8

DJ Styles
The Scrapulation, Vol. 1 (MySpace.com/DJStyles)

Overview: Styles’ ambitious effort attempts a historical context for the hyphy movement, and hits more than it misses. The wide-ranging disc covers such ubiquitous Yay anthems as the Team’s “It’s Getting Hot” remix, Casual’s “In the Whip,” and Balance’s “Right There,” digs up classics by RBL Posse, Spice 1, 11/5 and Richie Rich, and places Mystic Journeymen’s “Next Stop Oakland” immediately following Baby Ray’s “Nothing Like the Town.”

Most Inspired Moment: 3xKrazy’s “Hit the Gas,” featuring a young Keak da Sneak.

Least Inspired Moment: Hammer’s “Ring ‘Em” seems more suited for dancing the Running Man in genie pants than ghost-riding the whip.

Why Is It Stunna-Worthy? You can’t really argue with Pooh Man’s “Fucking wit Dank,” a dinosaur from 1990 that’s still funky sixteen years later.

Does It Include “Tell Me When to Go”? Fa sho dat.

Best Suited For: People who watch the History Channel.

Poignant Observation: In retrospect, the carnival-like melody on the Luniz’ “Ice Cream Man” sounds like Droop-E on Vicodin.

Hyphy Factor: 6.5

Various: Thizz Radio
Volume One (ThizzWorld.net)

Overview: If Thizz Entertainment programmed its own radio station, it’d sound something like this 23 tracks of hastily assembled exclusive freestyles and previously unreleased stuff you won’t find anywhere else, possibly with good reason.

Most Inspired Selection: “O.A.K.,” featuring F.A.B., BMR, Geezy, and G-Stack reprising Too $hort’s version of Donny Hathaway’s “The Ghetto.”

Least Inspired Selection: “Golden Shower Up,” on which the usually appealing Keak da Sneak expresses his desire to heap abuse and streams of fresh urine on hoodrats R. Kelly-style, adding I don’t give a fuck. As Dan Savage would say, thanks for sharing.

Why Is It Stunna-Worthy? It’s underground, raw, violent, and frequently hella ig’nant.

Does It Include “Tell Me When to Go”? Nope.

Best Suited For: People who’ll buy anything with Mac Dre’s face on it.

Poignant Observation: Thug Radio would’ve been a more appropriate title.

Hyphy Factor: 5

DJ Backside
Got Bay? 3 (DJBackside.com)

Overview: Yay Areaaaaaa!!! Ya gurl Backside represents one mo’ ‘gin with the follow-up to her classic Got Bay? 2. This time, “your nephew” Turf Talk hosts, and the excellent track selection features F.A.B.’s “Metros & Chirpers,” Balance and EA-Ski’s “It Is What It Is,” and Turf Talk & Hoodstarz’ “Bullshit.”

Most Inspired Moment: Backside’s exclusive “Turf Talk Mega Mix.”

Least Inspired Moment: Actually, the whole damn disc is fairly inspired.

Why Is It Stunna-Worthy? The inclusion of Keak’s “Super Hyphy Hyphy Hyphy Hyphy,” which makes it four times as hyphy as other mix tapes.

Does It Include “Tell Me When to Go”? No, but you won’t miss it.

Best Suited For: The transition from turf to club.

Poignant Observation: If you ain’t got Bay, you might just be a zarc.

Hyphy Factor: 10

Mac Dre
Don’t Hate the Player, Hate the Game: In the Mix (ThizzWorld.net)

Overview: This mix was originally released in 1999 by DJ Mac G, DJ Smurf, and Young G of old-school (that is, pre-”Feelin’ Myself”) Mac Drizzle, featuring such Crestside classics as “Young Black Brotha,” “Too Hard for the Radio,” “California Livin’,” “Stupid Doo Doo Dumb,” and “Hoes Love It.”

Most Inspired Moment: Dre yelps Yee! on “Nothin’ Correctable,” presaging the current popularity of the catchphrase by several years.

Least Inspired Moment: The super-boring cover artwork, which probably cost a quarter to design.

Why Is It Stunna-Worthy? C’mon, cuddie, that’s a stupid doo doo dumb question.

Does It Include “Tell Me When to Go?” No, but it has “Love That Donkey.”

Best Suited For: Listeners of distinction who appreciate the classics.

Poignant Observation: Probably 75 percent of the people wearing Mac Dre “Romp in Peace” T-shirts never listened to him when he was alive; here’s their chance to go back and catch up.

Hyphy Factor: 8

Danny Dee
The Bay: We Fresh, hosted by Dem Hoodstarz (MySpace.com/DannyDeez)

Overview: Several freestyle segments by East Palo Alto’s finest intercede throughout this superlative mix, featuring all the current hot shit from Cutthroat Committee, Mak & AK, Black & Brown, Mistah FAB, Skyballa, and Doey Rock.

Most Inspired Moment: Yukmouth’s “Moment of Silence” for Mac Dre perhaps the only time in recent memory Yuk has, in fact, been silent.

Least Inspired Moment: When you have to Q-Tip your ears vigorously after listening to all 44 tracks.

Why Is It Stunna-Worthy? This mix contains many cuts not found on other tapes, like E-40’s “Pussy Niggas” and a roguish remix of Dem Hoodstarz’ “Grown Man” featuring heavy hitters F.A.B., Clyde Carson, San Quinn, and Turf Talk.

Does It Include “Tell Me When to Go”? Ritt, ritt, mane.

Best Suited For: Scrape-aholics and full-time ballas who getz they grown man on.

Poignant Observation: The hyphy movement is far deeper than anyone could have imagined.

Hyphy Factor: 9.5

Yahdidabooboo.

Niggaz and White Girlz

Thursday, March 23rd, 2006

Kirb and ChrisStop, before you all jump on me. This is a review of the new Mixtape by Bay Area underground Hip Hoppers, Kirby Dominant and Chris Sinister, aptly titled, “Niggaz and White Girlz.” This is easliy the most ambitious album out this year. They blend a mix of 80’s New Wave, Rock, Pop, and pure Hip Hop to take a look into the taboo subject of Black Men dating White Women. It is highly entertaining and almost reads like a lecture on the subject. Kirby told me they were just trying to be funny and do something different, but they struck a key nerve here with this album.

I know a number of sistas sitting around waiting for this mythical SuperBrother to come flying thru the air with his cape on, open doors, pay the rent, cook dinner and generally be enamored in that Babyface “Whip Appeal” type of way “as soon as we get home from work.” Well, why they’re sitting there, legs crossed and lonely, there is a brother trying something new with a White girl who “justs wants to have fun!”

Kirb and Chris analyze this phenomenom like two tenured professors. Musically it features classic beats from The Cure, The Smiths, Depeche Mode, The Family, Gary Numan, U2, and many more. Filled with many introspective skits and appearances by Z Man, Murs, Micah 9, and Andre Nickatina, they hit the mark here. Check their album out and join in the discussion.

Flashback Album: X Clan, To The East Blackwards

Thursday, March 23rd, 2006

X ClanLet’s take a trip back in time to 1990. I was a senior in high school, with a high-top fade, a couple of African medallions, and a stopwatch. Yeah, we wore stopwatches in Oakland to put our Town Styles on Flava’s clock. Come to think of it, that dance he did in Eric B. and Rakim’s “I Ain’t No Joke” video was very hyphyish. Well during this period of pro-Black, Public Enemy inspired Hip Hop, a stellar crew emerged, X Clan.

While writing this, I am playing their album “To The East Blackwards” for the second time in a row. I pulled this album out the archives because Professor X was on my mind due to his recent passing. This album takes me back to many fond memories and astounds me that I can play it straight through and every song is a bonafide jam. No filler here. If Chuck D is the Hard Rhymer and Flava, the Joker, then Brother J is the Knowledgeable Rhymer and Professor X is the Ghetto Philosopher. Brother J spits some of the hardest rhymes EVER on many of the greatest Hip Hop samples of all-time to blend a mad fusion of knowledge, trunk rumbling tunes, dance ability and pure Hip Hop. Professor X’s constant refrains of “Vainglorious” and “This is protected by the Red, Black, and Green, Siissssy” were catch phrases of the day. This is easily one of the Top 10 Hip Hop albums ever and should be required listening of any self-respecting Hip Hopper that exists. Some of you might even like it a little more than Nelly. :~)

Sadly, due to all of the samples on their first album and the change in sampling policy, making it more difficult going forward, they were never able to recapture the magic of their initial release. They released other projects and remained active. But none were as good as their first output. Ironically, it was Professor X’s, not very good, solo album that made me decide to always listen to an album first before buying it just on name recognition. Sugar Shaft the DJ passed away back in 1995. In the words of Professor X:

“MALCOLM, MARTIN, HUEY, THERE’S A PARTY AT THE CROSSROAD!”

See You at the Crossroad Professor X

Saturday, March 18th, 2006

Repost From AllHipHip.com

Professor X of X-Clan Dies
By Houston Williams
Date: 3/17/2006 7:15 pm

Professor X of X-Clan has died in a New York-area hospital after a bout with meningitis, sources close to the situation told AllHipHop.com.

As a member of X-Clan, Professor X gained notoriety for his catch phrases “Vainglorious” and dissed fools by calling them “sissies.”

Additionally, Professor X, whose real name was Lumumba Carson, was the son of the late Civil Rights pioneer Sonny Carson, who produced The Education of Sonny Carson.

He also founded the grassroots organization BlackWatch.

Meningitis is a byproduct of bacterial or viral infections that overcome the body’s natural immune system.

The aggressive entities can be transmitted from other people through sneezing, coughing, kissing, infected blood, or contaminated water or food.

In August 2004, Professor X, auctioned off his time on eBay for a night on the town in New York City.

X-Clan released a pair of critically acclaimed albums, To the East, Blackwards (1990) and Xodus (1992), but soon after the Brooklyn-based collective disbanded.

In December 2005, X-Clan announced a comeback, but it was unclear if Professor X was party to the reunion. In 1995, X-Clan group member Sugar Shaft died from complications related to the AIDS virus.

Funeral arrangements haven’t been announced.

KRS One Teaches Stanford What Keep it Real Hip Hop Is

Tuesday, March 7th, 2006

“KRS One is just the 1 to lead a crew right up to your face and diss you!”

The TeachaKRS-OneBusy B, DJ Styles, KRS One, Joseph

I had never seen KRS One, The Teacha, live in person, performing or speaking ever. I was looking forward to seeing him on a roundtable discussion, Know-The-Ledge: Hiphop Scholarship Meets Hiphop Media which took place Saturday, March 4th, 2006 at Stanford University. KRS was featured on an afternoon panel titled “I am Hiphop,” a reference to the bold pronouncement he made about himself over a decade ago. I was troubled when he first made that statement because as a Left Coaster he was making me feel excluded. I have since worked through that issue and decided that “I am Hip Hop” even though I’ve never set foot down in the Boogie Down Bronx. I have lived Hip Hop’s story and all who have lived it are Hip Hop. I always envision a setting like the end of Spike Lee’s biopic, “X” where all the kids stand up and exclaim “I am Malcolm X” instead they will be shouting “I am Hip Hop” in my scene.

KRS One commanded the building when he stood up, with his statuesque, big body frame. He grasped the mic and affirmed that he IS “still” Hip Hop, he is the Leader of Hip Hop, at some point he seemed to state that Hip Hop started in the Bronx, a duly noted fact, and that if you weren’t there, you are not Hip Hop. He offended those that weren’t from the Bronx and made the Bronx natives staunchly defend themselves. He then waffled on whether those who go to college were Hip Hop or not. I know I was listening to BDP’s “You Must Learn” in high school as I prepared for college. He was joined by Busy B, an oldschool Hiphopper who had a great battle over 20 years ago. Together they sounded like George Gervin and Bernard King complaining that they didn’t get their shine on like Kobe and T-Mac do today. Different times, eras, and places, get over it. LIFE AIN’T FAIR!

But the Blastmaster saved his best barbs for Adisa Banjoko, The Bishop of Hip Hop. The two men seem to have had a personal disagreement or misunderstanding and KRS decided to air it right there, in public, at Stanford University. He called Adisa a FBI agent, spy, an enemy of Hip Hop, agent provecutor, terrosist, and threatened to jump across the table and kick his ass. In true male bravado and Hip Hop fashion, Adisa, an avid Martial Artist implored Mr. Stop The Violence to “Bring it on!” That’s keep it real Hip Hop right there. (more…)

Stanford Dedicates The Hip Hop Archives

Tuesday, March 7th, 2006

Know-The-LedgeOn Saturday March 4th, 2006, I attended a roundtable discussion “Know-the Ledge: Hiphop Scholarship Meets Hiphop Media.” It was attended by an illustrious panel of Hip Hop journalists, artists, scholars, and multimedia specialists. Among the panelists were Davey D, Adisa Banjoko, Eric K. Arnold, Robert ‘biko’ Baker, Boots Riley, KRS-One, oldschool Busy B, Sticcman of dead prez, Giuseppe Pipitone, James Spady, Cathy Cohen, Michael Eric Dyson and many others. I was pleased to meet Ladybug Mecca from the Digable Planets who laced me with her new solo CD, “Trip the Light Fantastic” which is hot and I will be reviewing soon. Tommie Shelby, philosopher, political theorist, and Harvard professor blessed me with his book he collaborated on with Derrick Darby, “Hip-hop And Philosophy, Rhyme 2 Reason.” I look forward to reading this book in addition to Lyrical Swords Vol II: Westside Rebellion which I picked up from Adisa Banjoko.

The panels were followed by the dedication of Stanford’s Hip Hop Archive. I must admit it is a nice archive. I hate giving Stanford any props because I’m a Cal Bear and my sister who is a senior at Stanford loves to pop her collar from time to time about Stanford. The Archive has a library of dozens of Hip Hop themed movies, scores of magazines, interviews, and periodicals throughout the years, dozens of classic framed 12″ covers, and memorabilia like RUN DMC dolls. Overall, they have yet something else that I as a Cal graduate am envious of. The Hip Hop Archive was established and organized by one of my sister’s professors, Dr. Marcyliena Morgan. I know that whatever Dr. Morgan is doing, she keeps it very real because my sister has called me up asking me for the etymology of Bay slang words like “bootsy” while doing research for her papers.

As far as the conference, I arrived towards the end of the 2nd of 5 panels. The panel was billed “Get In Where You Fit In: Organizing Space, Place, Race, and the Digital World” and it centered on Hip Hop as a source of activism and social change and how it facilitates political organizing. Many of those involved blamed record labels and the powers that be for squelching political Hip Hop and contended that Hip Hop is and will continue to be a vehicle for political expression. I disagree. When I’m out DJing, my crowds request (demand) that I play the latest Hyphy jam, Juelz Santana, Ying Yang, Paul Wall, etc. There’s not much room for Public Enemy, KRS One, or even a recent positive song like Styles P’s “I’m Black” which was allegedly banned on UnClear Channel.

(more…)

It’s Easy at the Oscars for a Pimp!

Monday, March 6th, 2006

Oscar StatueHip Hop, You Don’t Stop! 3-6 Mafia made history becoming the 1st Hip Hop group to perform at the Academy Awards and then joining Eminem as the second Hip Hop act to take home the coveted Oscar. Host Jon Stewart joked “You know what… I think it just got a little easier out here for a pimp,” and later added, “For anyone keeping record, Martin Scorsese, zero Oscars. For Three 6 Mafia, one.”

Who woulda thunk that the guys who brought us “Ridin’ Spinners” and rapped “It’s Hard Out Here For A Pimp,” would join the illustrious likes of Sidney Portier, Denzel Washington, Al Pacino, Meryl Streep, Jack Nicholson, Marlon Brando, Sir Laurence Olivier, Elizabeth Taylor, Tom Hanks, Dustin Hoffman, Robert De Niro, and Jodie Foster. It reminds me of that old Willie D song, “Who gives a f*ck about a G-damn Grammy?” Well I thank the guys for pushing Hip Hop culture further. I just have one question, will they be flossin there Gold Men in videos now instead of their Pimp Cups?

Adding to the Hip Hop theme of the night the movie, Crash with an all-star ensemble cast which includes Ludacris, Larenz Tate, Don Cheadle, Brendan Frasier, Sandra Bullock, Terance Howard and many more took home the Oscar for Best Picture. I saw this movie and was moved by it. It is a very realistic look at the intricacies of race, class, and status and how we all interact and deal with it daily in America. This is must-see watching if you haven’t seen it.

Since Eminem and 3-6 Mafia are the only Hip Hop acts to ever win an Oscar, it made me think of the great Hip Hop songs from movies that should be honored. So with no further ado here’s my list:

  • Beat Street Breakdown, Melle Melle – Beat Street (I saw Beat Street at the drive-in originally. You can’t buy that!)
  • Colors, Ice T – Colors (The world’s introduction to LA’s gang-bang culture.)
  • Fight The Power, Public Enemy – Do The Right Thing (Who was ready to riot after Radio Rahiem was murdered by the police? I still ask businesses in the Black community, Why it ain’t no brothas on the wall?”)
  • 911 Is a Joke, Flava Flav – House Party (This song is stuck in my head with John Witherspoon hollering out the window “Public Enema!”)
  • Same Song, Digital Underground / Tupac – Valkenvania (Tupac’s lyrical debut to the nation as he let us “He klowns around when he hangs around with the Underground.” This was tucked away on this Chevy Chase B-movie. Did anyone see it besides me?)
  • How To Survive In South Central, Ice Cube – Boyz In The Hood (Ice Cube’s acting debut and the beginning of his descent down the slopes of menaingful rhyming.)
  • Deep Cover, Dr. Dre and Snoop – Deep Cover (The introduction of Snoop Dogg’s and Laurence Fishburne playing one of his hardest roles ever.)
  • Juice Know The Ledge, Eric B. and Rakim – Juice (Tupac’s big-screen, acting debut. A very prophetic portrayal.)
  • Men In Black, Will Smith – Men In Black (Don’t hate, Will’s a hero of mine and I got his back!. He’s a very positive brotha, and he rose from quirky teen rapper to Top 5 Leading Man in Hollywood. The Hip Hop American Dream!)
  • Kill Bill Score, The Rza – Kill Bill (The movie was dope and Rza killed it with some out the box, ode to the classics ish.)

Please add your comments, songs, and movies that should be added to the list.

DJ Styles Mixtape: The Scrapalation defines the Hyphy Movement

Monday, February 27th, 2006

The ScrapalationHave you been hearing about folks getting Hyphy out here in The Bay and want to find out what it’s it all about? If you want to own the definitive mixtape that explains Hyphy then you have to pick up The Srapalation. In the Bay, brothers roll oldschool whips with tight rims and trunk rattling, bass-rumbling stereo systems which are affectionately known as scrapers. Well, The Scrapalation is the ultimate compilation of scraper music. Featuring all the latest hyphy anthems as well as many of the classic Bay Area artists that started this movement years ago.

The Scrapalation starts off with the No. 1 song in the Bay, “Tell Me When To Go” by E-40 and Keek da Sneak produced by Lil Jon. The song samples the infectious “DUMB!” chorus from RUN DMC’s classic, “Dumb Girl” and has kid’s in The Yay going, “DUMB! DUMB! DUMB! DUMB!” From there it features many of the hottest Hyphy artists and Bay MCs out now like Turf Talk, The Team, Mistah F.A.B., Balance, Hoodstarz, Zion I, San Quinn and many more. But for a double dose of Bay love it also includes classic cuts by the artists that put the Bay on the map in the first place: Too Short, Spice 1, RBL Posse, 11/5, 3xCraxy, Luniz, MC Pooh, and even Hammer. 

So if you love you that Bay flava, be sure to check out The Scrapalation. It’s the Hyphy Soundtrack of Sideshows everywhere.

Casual Smashes Your Rock Well

Saturday, February 25th, 2006

Smash RockwellCasual, of the mighty Hieroglyphics Crew comes at us with his alter ego, Smash Rockwell. Like Biggie said, this brother has flows like “Licorice!” I bet he could spit rhymes all day long and still teach Moother Goose a thing or two.

The musical landscape is very diverse on this album. On his anthem, ‘Oaktown,’ Casual enlists the services of Too $hort, E Mac, G Stack, and Richie Rich. It has an oldschool, stripped down, bass heavy, riding beat similar to Too $hort’s classic, ‘The Dope Fiend Beat.’ The most inspirational song is ‘Single Mother.’ The beat is super hot like some pre-Super Fly, Curtis Mayfield flavored, inspirational soul. Casual spins a very touching story, as he “takes this time out to honor” all the single mother’s out there. This song is very touching. For the Hyphy cats out there, he gives us ‘In The Whip.’ It has a hard Hyphy beat that was made to ghostride the whip to and he’s spins some crazy tales about doing his thing while riding around The Town.  

Other standouts include ‘Nickel and Dime Gangsta’ featuring the Ambassador of the Yay, E-40. ‘Hieroller’ features his Hieroglyphic brethren, Opio and Tajai creating the lyrical mayhem that they are known to do. ‘I’ll Hit That’ showcases Cas getting straight ill on the oldschool, Grandmaster Flash and the Furious Five groove, ‘I’m Nasty.’ ‘Wakmup’ highlights Smash Rockwell waking ‘em up and breaking cyphers up. In all Casual gives us 15 hot cuts, but I can’t forget my favorite song of them all, “Styles So Many, Styles So Many, Styles!” Yes, Casual busts mad styles on the song ‘Styles.’ With that song alone, how could he go wrong?

You can catch Casual and the Hieroglyphics on tour currently in a town near you.

Rise Up with Azeem

Saturday, February 25th, 2006

Azeem - Rise UpPro-Black, politicized hip hop used to have hard beats and slap as hard on the block as it did among the college crowd. Well heralded Oaktown MC, Azeem has dropped the Rise Up mixtape to take us back to that day. This mixtape is pure ‘Rebel Music.’

For those that don’t know, Azeem has a long track record in the game dating back to the last millenium, touring on Lollapalooza, winning Slam titles, and working with Michael Franti.

For this mixtape Azeem jacks many of the fat hip hop and dancehall beats that are out now to bless us all with his special brand of wordsmithery and revolution. The mixtape opens with the title track, ‘Rise Up,’ which starts with a version that’s freaks the old Whodini, ‘I’m a Hoe’ beat, then it flips into the remix with the ‘Welcome To Jamrock’ beat. Azeem spits hot fire on this track. He rhymes over more beats from The Game, Bob Marley, Common, 2Pac, Ying Yang Twins, and Young Jeezy. On ‘Weeping, Wailing’ Azeem spits rhymes so pure over the Kanye ‘Drive Slow’ beat, he’d have Kanye wondering why people consider him a conscious rapper. Azeem also kills the ‘King of Kings’ beat that Terry Ganzie used to rock on ‘Dangerous.’

He features ample political speeches from Malcolm X and Angela Davis over some dope beats, which used to be a key part of hip hop. His guest artists who get wreck include DJ Child, Tiye Selah, Pressure, Ras Bumpa, DJ Zeph, Mikey Dread, Rankin Scroo, and even a cameo by his daughter Sana Azeem.

If you like real hip hop, with a real message to it, then be sure to Rise Up with Azeem.