Archive for the ‘Music Reviews’ Category

Tapes ‘n’ Tapes: Surveying the latest hyphy-friendly Bay Area mixes.

Saturday, April 15th, 2006

Reposted from the East Bay Express

Tapes ‘n’ Tapes
Surveying the latest hyphy-friendly Bay Area mixes.

By Eric K. Arnold
Article Published Apr 12, 2006

In a recent conversation with Impereal of the Demolition Men, the mix-tape guru agreed that the local mix scene’s development played an instrumental role in the emergence of Hyphy: The Movement. Increasingly Bay-centric local mixes serve both the indie rappers and labels and the listeners; from your perspective, the mix tape basically a compilation with a concept may well represent the best bang for your buck, should you consider yourself hyphy and/or thizzin’.
Here’s a rundown on the Bay’s latest mix sensations.

Demolition Men
Best of the Bay 2005 Recap Pts. 1 & 2 (MySpace.com/demolitionmenmusic)

Overview: Two CDs with 49 tracks of straight slump everything you would expect from Impereal and Devro, who keep knock on lock around the clock. Part 1 features many of the celebrated slaps that made 2005 the hyphiest year in Yay Area history: San Quinn & EA-Ski’s “Hell Yeah” (featuring Mr. Ski’s finest turn on the mic ever), Balance’s “Gotta Get It,” Dem Hoodstarz’ “Getz Ya Grown Man On,” and Zion-I’s “The Bay” remix, significant in that it unites the 415, 510, and 707 area codes. Part 2 gets props not only for familiar favorites like Mistah F.A.B.’s “Super Sic wid It” and Bailey’s “Fuck Yo Couch,” but also such underground hard targets as Sean T. & Biaje’s “Dat Bump” and EA-Ski & Too $hort’s “Check the Resume.”
Most Inspired Moment: The Team’s “Just Go” (Pt. 1); San Quinn’s “The Bay Is in the Area” (Pt. 2).

Least Inspired Moment: When you realize how sore your head, neck, and back feel the morning after.

Why Is It Stunna-Worthy? It’s got everything you need to turn your scraper into a chariot suitable for gas-break-dipping and turning tight ones. Shout-outs, machine-gun sound FX, and plenty of scratching up the intensity way past crunk.

Does It Include E-40’s Smash Hit “Tell Me When to Go”? Hell motherfuckin’ yeah.

Best Suited For: Those with fully updated collision insurance.

Poignant Observation: If you lay both CDs next to each other, they form a montage of Bay Area rap celebrities with two microphones and the Golden Gate Bridge in the background something you wish you’d see on a KMEL billboard.

Hyphy factor: 9.8

DJ B Cause & Ross Hogg
Slump & Grind Vol. 2 (4OneFunk.com)

Overview: Besides the requisite megamix intro, there are no real bells & whistles, just a connoisseur-style selection of recent rumpus-inducing Bay shit. Plenty of big hits repeat on other comps, but nice surprises sneak in the mix like the Team’s “Show Me Your Nasty.”

Most Inspired Moment: DJ Shadow, Keak da Sneak, and Turf Talk’s “Three Freaks,” wherein Josh Davis navigates Rick Rock territory.

Least Inspired Moment: The nondescript cover photo of the Bay Bridge is a little misleading, given the magnanimous boasting of the songs therein.

Why Is It Stunna-Worthy? No less than four tracks featuring Turf Talk, dummy.

Does It Include “Tell Me When to Go”? Yupper.

Best Suited For: Newcomers and casual hyphy aficionados who enjoy listening at home as well as in the scraper.

Poignant Observation: The late, great Mac Dre is twice paid tribute, with his humorously self-aggrandizing “Me Da Mac” and ode to ’80s electro, “Dredio.”

Hyphy Factor: 8

DJ Styles
The Scrapulation, Vol. 1 (MySpace.com/DJStyles)

Overview: Styles’ ambitious effort attempts a historical context for the hyphy movement, and hits more than it misses. The wide-ranging disc covers such ubiquitous Yay anthems as the Team’s “It’s Getting Hot” remix, Casual’s “In the Whip,” and Balance’s “Right There,” digs up classics by RBL Posse, Spice 1, 11/5 and Richie Rich, and places Mystic Journeymen’s “Next Stop Oakland” immediately following Baby Ray’s “Nothing Like the Town.”

Most Inspired Moment: 3xKrazy’s “Hit the Gas,” featuring a young Keak da Sneak.

Least Inspired Moment: Hammer’s “Ring ‘Em” seems more suited for dancing the Running Man in genie pants than ghost-riding the whip.

Why Is It Stunna-Worthy? You can’t really argue with Pooh Man’s “Fucking wit Dank,” a dinosaur from 1990 that’s still funky sixteen years later.

Does It Include “Tell Me When to Go”? Fa sho dat.

Best Suited For: People who watch the History Channel.

Poignant Observation: In retrospect, the carnival-like melody on the Luniz’ “Ice Cream Man” sounds like Droop-E on Vicodin.

Hyphy Factor: 6.5

Various: Thizz Radio
Volume One (ThizzWorld.net)

Overview: If Thizz Entertainment programmed its own radio station, it’d sound something like this 23 tracks of hastily assembled exclusive freestyles and previously unreleased stuff you won’t find anywhere else, possibly with good reason.

Most Inspired Selection: “O.A.K.,” featuring F.A.B., BMR, Geezy, and G-Stack reprising Too $hort’s version of Donny Hathaway’s “The Ghetto.”

Least Inspired Selection: “Golden Shower Up,” on which the usually appealing Keak da Sneak expresses his desire to heap abuse and streams of fresh urine on hoodrats R. Kelly-style, adding I don’t give a fuck. As Dan Savage would say, thanks for sharing.

Why Is It Stunna-Worthy? It’s underground, raw, violent, and frequently hella ig’nant.

Does It Include “Tell Me When to Go”? Nope.

Best Suited For: People who’ll buy anything with Mac Dre’s face on it.

Poignant Observation: Thug Radio would’ve been a more appropriate title.

Hyphy Factor: 5

DJ Backside
Got Bay? 3 (DJBackside.com)

Overview: Yay Areaaaaaa!!! Ya gurl Backside represents one mo’ ‘gin with the follow-up to her classic Got Bay? 2. This time, “your nephew” Turf Talk hosts, and the excellent track selection features F.A.B.’s “Metros & Chirpers,” Balance and EA-Ski’s “It Is What It Is,” and Turf Talk & Hoodstarz’ “Bullshit.”

Most Inspired Moment: Backside’s exclusive “Turf Talk Mega Mix.”

Least Inspired Moment: Actually, the whole damn disc is fairly inspired.

Why Is It Stunna-Worthy? The inclusion of Keak’s “Super Hyphy Hyphy Hyphy Hyphy,” which makes it four times as hyphy as other mix tapes.

Does It Include “Tell Me When to Go”? No, but you won’t miss it.

Best Suited For: The transition from turf to club.

Poignant Observation: If you ain’t got Bay, you might just be a zarc.

Hyphy Factor: 10

Mac Dre
Don’t Hate the Player, Hate the Game: In the Mix (ThizzWorld.net)

Overview: This mix was originally released in 1999 by DJ Mac G, DJ Smurf, and Young G of old-school (that is, pre-”Feelin’ Myself”) Mac Drizzle, featuring such Crestside classics as “Young Black Brotha,” “Too Hard for the Radio,” “California Livin’,” “Stupid Doo Doo Dumb,” and “Hoes Love It.”

Most Inspired Moment: Dre yelps Yee! on “Nothin’ Correctable,” presaging the current popularity of the catchphrase by several years.

Least Inspired Moment: The super-boring cover artwork, which probably cost a quarter to design.

Why Is It Stunna-Worthy? C’mon, cuddie, that’s a stupid doo doo dumb question.

Does It Include “Tell Me When to Go?” No, but it has “Love That Donkey.”

Best Suited For: Listeners of distinction who appreciate the classics.

Poignant Observation: Probably 75 percent of the people wearing Mac Dre “Romp in Peace” T-shirts never listened to him when he was alive; here’s their chance to go back and catch up.

Hyphy Factor: 8

Danny Dee
The Bay: We Fresh, hosted by Dem Hoodstarz (MySpace.com/DannyDeez)

Overview: Several freestyle segments by East Palo Alto’s finest intercede throughout this superlative mix, featuring all the current hot shit from Cutthroat Committee, Mak & AK, Black & Brown, Mistah FAB, Skyballa, and Doey Rock.

Most Inspired Moment: Yukmouth’s “Moment of Silence” for Mac Dre perhaps the only time in recent memory Yuk has, in fact, been silent.

Least Inspired Moment: When you have to Q-Tip your ears vigorously after listening to all 44 tracks.

Why Is It Stunna-Worthy? This mix contains many cuts not found on other tapes, like E-40’s “Pussy Niggas” and a roguish remix of Dem Hoodstarz’ “Grown Man” featuring heavy hitters F.A.B., Clyde Carson, San Quinn, and Turf Talk.

Does It Include “Tell Me When to Go”? Ritt, ritt, mane.

Best Suited For: Scrape-aholics and full-time ballas who getz they grown man on.

Poignant Observation: The hyphy movement is far deeper than anyone could have imagined.

Hyphy Factor: 9.5

Yahdidabooboo.

Niggaz and White Girlz

Thursday, March 23rd, 2006

Kirb and ChrisStop, before you all jump on me. This is a review of the new Mixtape by Bay Area underground Hip Hoppers, Kirby Dominant and Chris Sinister, aptly titled, “Niggaz and White Girlz.” This is easliy the most ambitious album out this year. They blend a mix of 80’s New Wave, Rock, Pop, and pure Hip Hop to take a look into the taboo subject of Black Men dating White Women. It is highly entertaining and almost reads like a lecture on the subject. Kirby told me they were just trying to be funny and do something different, but they struck a key nerve here with this album.

I know a number of sistas sitting around waiting for this mythical SuperBrother to come flying thru the air with his cape on, open doors, pay the rent, cook dinner and generally be enamored in that Babyface “Whip Appeal” type of way “as soon as we get home from work.” Well, why they’re sitting there, legs crossed and lonely, there is a brother trying something new with a White girl who “justs wants to have fun!”

Kirb and Chris analyze this phenomenom like two tenured professors. Musically it features classic beats from The Cure, The Smiths, Depeche Mode, The Family, Gary Numan, U2, and many more. Filled with many introspective skits and appearances by Z Man, Murs, Micah 9, and Andre Nickatina, they hit the mark here. Check their album out and join in the discussion.

Flashback Album: X Clan, To The East Blackwards

Thursday, March 23rd, 2006

X ClanLet’s take a trip back in time to 1990. I was a senior in high school, with a high-top fade, a couple of African medallions, and a stopwatch. Yeah, we wore stopwatches in Oakland to put our Town Styles on Flava’s clock. Come to think of it, that dance he did in Eric B. and Rakim’s “I Ain’t No Joke” video was very hyphyish. Well during this period of pro-Black, Public Enemy inspired Hip Hop, a stellar crew emerged, X Clan.

While writing this, I am playing their album “To The East Blackwards” for the second time in a row. I pulled this album out the archives because Professor X was on my mind due to his recent passing. This album takes me back to many fond memories and astounds me that I can play it straight through and every song is a bonafide jam. No filler here. If Chuck D is the Hard Rhymer and Flava, the Joker, then Brother J is the Knowledgeable Rhymer and Professor X is the Ghetto Philosopher. Brother J spits some of the hardest rhymes EVER on many of the greatest Hip Hop samples of all-time to blend a mad fusion of knowledge, trunk rumbling tunes, dance ability and pure Hip Hop. Professor X’s constant refrains of “Vainglorious” and “This is protected by the Red, Black, and Green, Siissssy” were catch phrases of the day. This is easily one of the Top 10 Hip Hop albums ever and should be required listening of any self-respecting Hip Hopper that exists. Some of you might even like it a little more than Nelly. :~)

Sadly, due to all of the samples on their first album and the change in sampling policy, making it more difficult going forward, they were never able to recapture the magic of their initial release. They released other projects and remained active. But none were as good as their first output. Ironically, it was Professor X’s, not very good, solo album that made me decide to always listen to an album first before buying it just on name recognition. Sugar Shaft the DJ passed away back in 1995. In the words of Professor X:

“MALCOLM, MARTIN, HUEY, THERE’S A PARTY AT THE CROSSROAD!”

So Many Styles Pick 2 Click

Monday, March 13th, 2006

Too Short – Blow The Whistle – Jive

Too ShortI was in Jr. High School in 1986 when I first heard Too Short‚s “Girl, That’s Your Life” slamming in the trunk of every tricked out Mustang 5.0 that drove by, as I walked back and forth to school everday. One of his early albums was titled, “Don’t Stop Rappin’” and 20 years later he looks he has taken that to heart.

Too Short and Lil Jon have a great chemistry as they team up to further this Hyphy Movement. Truth be told, Lil Jon’s crunk beats have had the Yay Area going Hyphy since “B.I., B.I.” but now Lil Jon is teaming with the Bay’s best, like Too Short and E-40 to keep kids out here shaking their dreads. This song is a surefire No. 1 out here in the Bay and should be felt throughout the rest of the country.

Singles Spotlight

Monday, March 13th, 2006

Da Backwudz – I Don’t Like The Look Of It – Rowdy

These dirty south cats are ill flipping the Oompa Loompas from Willie Wonka singing “I Don’t Like The Look Of It.” The beat is real tight, reminiscent of how Ludacris flipped that Quincy Jones/ Austin Powers beat. This track should have people bouncing all over.

Pussycat Dolls / Will.I.Am – Beep – A&M

This song is not that surprising. The artists who brought us 2 of hottest dance jams last year, “Don’t Cha” and “My Humps” team up to bring us this song. It’s catchy and should keep people dancing into the Spring.

Heather Park – The Life – Stush Music

Heather Park is a lady who’s out make her name in the crowded female R&B scene. I prefer the Ron Browz remix on this single which samples the “Busta, What It Is Right Now” drums. She deals with a little mature here than the average Ciara, Keyshia Cole jams out right now. With the Busta beat it can work in the clubs.

Topkat – Got Lyrics / Here To Stay
The hills of Vallejo are still spring new MC’s. This time it’s an MC named Topkat taking up the mantle for the V.J.O. “Here To Stay” is a really good song with an oldschool, soulful flavor with a brother crooning the hook about the Bay is “Here To Stay!” On “Got Lyrics?” he became a bit ambitious in his quest for MC supremacy.

Mike Watts / Paul Wall / Jiz Nickelz – Grind Winters Out – Watts Records

Sometimes when I hear “Crack Music” that glorifies dope dealers, grinding, and trapping, I really like it. Such is the case here. This song is a manifesto for those on the grind on how to “play the summer away and grind the winters out.” The beat is a midtempo, mesmerizing concoction. I like this song and think we might be hearing more from Mike Watts.

Black Eyed Peas – Pump It – A&M

The Peas deliver a fast-paced frenzied dance jam on this single. It features a really dope horn with a nonstop drum track. This song has been featured in commercials already so it should be familiar to everyone. This song should do well with Black Eyed Peas core fans.

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Singles Spotlight

Thursday, March 2nd, 2006

Juvenile – What’s Happening – Atlantic

Juvenile jacks Sir Mix-A-Lot’s underground classic, “My Posse’s On Broadway” for this single. The beat is an updated version of Mix’s original 808 kick drum that he was listening to when he and his posse busted left on their way to Broadway. In a tribute to Mix-A-Lot, Juvy also rocks a flow very similar to the originator of the song.

Mobb Deep – Put Them In Their Place – G Unit

Most Mobb Deep fans surely fear the influence of the G Unit will have on one of Hip Hop’s, all-time, under-rated groups. Well, at least on this single, your fears should be alleviated for a moment. Produced by Havoc and Sha Money XL, they take us back to that “Shook Ones” flavored grimy, dirt level rhymes that made us all take notice in the first place. This is a good song with that classic Queensbridge feel and hopefully portends more good things to come from The Infamous Mobb Deep.

T.I. – What You Know – Grand Hustle

T.I. always makes songs that me feel like I’m the king of the world. I think nothing can bother me when I’m listening to a T.I. song. If you don’t know, then T.I. takes the time to inform you on “What You Know.” The beat features classic, deep-fried, southern bass and synths, as T.I. drops his trademark flow on the slumping beat. This song should have crowds bouncing coast to coast.

J. Dandridge / Mistah F.A.B. – Yurple

J. Dandridge is a dope MC from Oakland who’s poised to blow up real soon. This single is a good step in that direction. This song explains exactly what it’s like out here in the Bay. J. Dandridge and the Bay’s new Crown Prince, Mistah F.A.B., aka Fabby Davis Jr. spin tales of riding through Oakland with “purple” all in the trunk, passing the blunt, and chasing rippers. The beat is slamming with that Bay Hyphy flavor. You all need to check for J. Dandridge.

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Casual Smashes Your Rock Well

Saturday, February 25th, 2006

Smash RockwellCasual, of the mighty Hieroglyphics Crew comes at us with his alter ego, Smash Rockwell. Like Biggie said, this brother has flows like “Licorice!” I bet he could spit rhymes all day long and still teach Moother Goose a thing or two.

The musical landscape is very diverse on this album. On his anthem, ‘Oaktown,’ Casual enlists the services of Too $hort, E Mac, G Stack, and Richie Rich. It has an oldschool, stripped down, bass heavy, riding beat similar to Too $hort’s classic, ‘The Dope Fiend Beat.’ The most inspirational song is ‘Single Mother.’ The beat is super hot like some pre-Super Fly, Curtis Mayfield flavored, inspirational soul. Casual spins a very touching story, as he “takes this time out to honor” all the single mother’s out there. This song is very touching. For the Hyphy cats out there, he gives us ‘In The Whip.’ It has a hard Hyphy beat that was made to ghostride the whip to and he’s spins some crazy tales about doing his thing while riding around The Town.  

Other standouts include ‘Nickel and Dime Gangsta’ featuring the Ambassador of the Yay, E-40. ‘Hieroller’ features his Hieroglyphic brethren, Opio and Tajai creating the lyrical mayhem that they are known to do. ‘I’ll Hit That’ showcases Cas getting straight ill on the oldschool, Grandmaster Flash and the Furious Five groove, ‘I’m Nasty.’ ‘Wakmup’ highlights Smash Rockwell waking ‘em up and breaking cyphers up. In all Casual gives us 15 hot cuts, but I can’t forget my favorite song of them all, “Styles So Many, Styles So Many, Styles!” Yes, Casual busts mad styles on the song ‘Styles.’ With that song alone, how could he go wrong?

You can catch Casual and the Hieroglyphics on tour currently in a town near you.

Rise Up with Azeem

Saturday, February 25th, 2006

Azeem - Rise UpPro-Black, politicized hip hop used to have hard beats and slap as hard on the block as it did among the college crowd. Well heralded Oaktown MC, Azeem has dropped the Rise Up mixtape to take us back to that day. This mixtape is pure ‘Rebel Music.’

For those that don’t know, Azeem has a long track record in the game dating back to the last millenium, touring on Lollapalooza, winning Slam titles, and working with Michael Franti.

For this mixtape Azeem jacks many of the fat hip hop and dancehall beats that are out now to bless us all with his special brand of wordsmithery and revolution. The mixtape opens with the title track, ‘Rise Up,’ which starts with a version that’s freaks the old Whodini, ‘I’m a Hoe’ beat, then it flips into the remix with the ‘Welcome To Jamrock’ beat. Azeem spits hot fire on this track. He rhymes over more beats from The Game, Bob Marley, Common, 2Pac, Ying Yang Twins, and Young Jeezy. On ‘Weeping, Wailing’ Azeem spits rhymes so pure over the Kanye ‘Drive Slow’ beat, he’d have Kanye wondering why people consider him a conscious rapper. Azeem also kills the ‘King of Kings’ beat that Terry Ganzie used to rock on ‘Dangerous.’

He features ample political speeches from Malcolm X and Angela Davis over some dope beats, which used to be a key part of hip hop. His guest artists who get wreck include DJ Child, Tiye Selah, Pressure, Ras Bumpa, DJ Zeph, Mikey Dread, Rankin Scroo, and even a cameo by his daughter Sana Azeem.

If you like real hip hop, with a real message to it, then be sure to Rise Up with Azeem.

The Boogieshack Showcase Another Side of Oakland

Saturday, February 25th, 2006

Boogie Shack: The Mixtape

If you think all of the Oakland hip hop artists are super-hyphy or going dumb, then you are sadly mistaken. Some people in the Bay aren’t doing donuts at the sideshow or ghostriding the whip. The Boogieshack are one of many talented hip hop groups that hails from what we lovingly call, The Town. Boogieshack is comprised of Korise and MonteCristo, two brothers from Oakland who have been at this since 1996.

On their latest mixtape, “The Mixtape,” hosted by DJ Sake 1 and DJ Juice they take us on a musical journey that has touches of soul, jazz, a few hyphy jams, and some good, pure, hip hop beats. Refreshingly, these guys don’t seem like they used to be drug dealers, trappers, pimps, murdered anyone, or even jaywalked. It’s just some good music minus all the obligatory “N’s and B’s.”

Standouts include “Town Love,” yet another ode to Oakland, the city that loves us like nobody can. “Hip Hop Is” features another dope Oakland MC, Zion I. “Raise Up” is a heater with a super fat beat and a slapping kick drum. “Scrapperz and Spittaz” showcases Boogieshack’s versatility as they get Hyphy, featuring Chopp Black of The Whoridas. And of course their underground hit, “Trendy,” that’s been percolating around the Bay. They have a little something for everyone.

Be sure to check the brothers out!

Mike Marshall, The Soul of the Bay

Friday, February 24th, 2006

Love, Lies, LifeBe sure to check out Love, Lies, and Life, Mike Marshall’s first solo CD in 20 years. I can’t lie, I’m a fan, but you have to understand, I’m from the oldschool and I’m from the Bay Area. Mike Marshall aka Mike Meezy from Berkeley High scored big with the Timex Social Club smash “Rumors” in 1986, part of the classic music era for any oldschool hip hopper.

Unfortunately, due to politics and the issues that artists faced, Mike was forced out as his producers formed Club Nouveau. Mike resurfaced about 10 years later singing the famous hook with the Luniz on the Bay anthem, “I Got 5 On It.” He’s kept busy and has now dropped his latest CD.

Mike gives us the wise tales of a sage veteran in the game. He puts the soul back in the game. His songs deal with various issues such as love, life, and his personal experiences from a grown man’s perspective. There are many standouts on this album and I highly recommend it.

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